MASTER FOOK YUENG

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Mr. Yueng is an advisor, teacher and grandteacher to the students of Xin Qi Shen Dojo.  At the opening of the new Xin Qi Shen dojo, Mr. Yueng presented Andrew Dale with his family's sword, naming him adopted son #2.  (Dave Harris is son#1).  Mr. Yueng has been in the Seattle area for more than 30 years. In that time he has shared his knowledge and training in Kung Fu and Chi Kung with several very lucky students. His primary interest was in sharing, not teaching. He ‘folded’ his hands a few years ago (stopped teaching kung fu) and now occasionally works with students of Xin Qi Shen Dojo and Harris Sensei's dojo on applications and T’ian Shan Chi Kung (
not similar to the Taiwan T’ien Shan Kung Fu system).

Due to time and space limitations over the years his group has been small. Mr. Yueng has never been one for fame so he’s always avoided publicity, but he’s always been willing to answer questions and give training guides. He insists on Mr. instead of Master. On one occasion he consented to an interview to be published in the Xin Qi Shen Dojo Newsletter. Here are excerpts from that article:

A VISIT WITH MR. YUENG
Of all the martial artists and high level teachers I have encountered, Mr. Yueng shines bright among them. His skill is exceptional in martial arts, chi kung, and healing, but the extra special quality is his joy. When Mr. Yueng is around there is a joyousness, and bright energy that sparkles and influences his surroundings. This quality is one of the reasons he has been a hero of mine for 20 years. Mr. Yueng permitted me to ask questions about his training and his past. As always, there was a wealth of information he shared with me.

HIS TRAINING:
Mr. Yueng was trained in the Chinese Opera. Those familiar with Chinese Opera know that the members can put any gymnast to shame by their flexibility, strength and fitness. The training was extremely hard, beginning at 4 am.

Mr. Yueng: "The training was brutal, beyond what practitioners are willing to endure today. If you fought, your life was on the line, you could be crippled or killed. Now-a-days it doesn't matter how skilled you are, you can't defend yourself against a bullet. Today practitioners compete for prizes, first places and better health, the reality and training is very different than if your life depended on it."

Mr. Yueng, being in the Opera, had the opportunity to study with many martial artists and has learned many styles. Tai Chi, Pa Kua, Wing Chun, several Mantis systems, Crane, Monkey and many more (he practiced with Sun Lu Tang's students and also played the part of the Monkey King in the Opera).

I asked him if there was one instructor that stood out above the rest that he looked up to, or was a model for him.
Mr. Yueng:  "All my teachers were very good, each had their own unique gifts and talents. I wasn't taught that one style was better than the other, each was useful. However, I didn't idolize the teachers, or want to be like them, since the life of a kung fu teacher was not a good life. A kung fu teacher's life was very difficult and sometimes sad.  In those days if your skill wasn't of high quality you didn't eat, it was survival.  If your kung fu wasn't any good you didn't work, no one would hire you."
"To start with few kung fu teachers had families, they had to continually train hard so their skill was high in order to stay alive and be successful.  If you were a kung fu teacher anyone could come up and challenge you, injuries and possible death could result. Running a school meant you were responsible for all your students and their actions.  If a student hurt someone or was quarrelsome it was the sifu's fault. The sifu had to train and instill a sense of responsibility in all students, continuously. The life of a kung fu sifu was not a peaceful one. When you accept students it's your responsibility to look after them, take care of them, educate them. Even if their health wasn't good the sifu must guide them back to better health."

Currently, Mr. Yueng focuses on chi kung for health and healing. "Better health is the most useful and important aspect of the arts." He represents a special Taoist chi kung from the Tian Shan Mountain Range called (of course) Tian Shan Chi Kung. This is a high level chi kung that not only works on self-healing but also focuses on spiritual development.

Mr. Yueng:  "The secret to chi kung is studying from a master with strong chi that can boost the chi of the student. The sifu must give the student chi to help accelerate their development. Otherwise it takes an extremely long period of time to build a storehouse of chi and move beyond just health exercise. Before storing and building chi a person's sick chi has to be cleansed. So along with learning and practicing the movements with the teacher, the teacher boosts the students chi to help heal them and accelerate the process along."

Mr. Yueng:  "T’ien Shan chi kung must be taught individually, each person is different and thus requires different instruction. The sifu must be able to focus on the student completely so large classes aren't possible. An older person has different requirements than a younger one. Someone who has, or has had some type of illness must be guided very gently, carefully. The master must invest much chi and effort into each student which is why this chi kung isn't very popular, few practitioners of Tien Shan were willing to do this."

WHERE DOES T'IEN SHAN COME FROM?
Mr. Yueng:  "T’ien Shan is purely Taoist.  This is a chi kung for spiritual development and primarily for hermits so it never became popular. Also, it was taught within a tradition for spiritual seekers. The most important thing now is to transmit the chi kung to better people's health."

WHAT ABOUT MODERN WUSHU OR KUNG FU?"
Mr. Yueng:  "THINGS CHANGE . . . Things change and adapt. In the pasted, kung fu was a livelihood, you had to be good or die. Each village had it's training school for the family and village members, this is no more. Now, it doesn't matter how good you are people have guns. Now kung fu is for health and exercise, this is the present, it serves a different purpose. People learn kung fu to be in movies and exercises, no one has time to train as if it's a living. I taught kung fu for self-defense and exercise, not for fighting. Fighting is no good. Bruce Lee and the kung fu movies made kung fu popular so more people are practicing, but it's different than before. It is changing with the times, being useful for now, fighting isn’t helpful or good for society."

Though Mr. Yueng continues to work with some of his long term students, he considers himself retired and continues his own practice.

Copyright © 2001 ATDale/wuji.com
Last Updated March, 2008
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